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Scherzo in C minor, Op.6



Scherzo in C minor for solo piano, Op.6
Scherzo: Vivo e molto risoluto
Assai meno mosso, quasi a piacere
Trio: Adagietto grazioso
Scherzo da capo: Vivo e molto risoluto
Coda: Assai meno mosso del tempo I, quasi a piacere

composed by Ana Leira Carnero


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© 2016 by Ana Leira Carnero


Piano Sonata No.3 “Mondana”, Op.5



Piano Sonata No.3 “Mondana”, Op.5
I. Allegro Moro
composed by Ana Leira Carnero


Each movement may be performed as a standalone concert piece. The sheets are highly detailed, with complete fingering and pedal marking.
I. Allegro Moro: The title refers to the Spanish-Arab influence on this piece. The tempo indication is 'Feroce con violenza' (Fierce with violence).
II. Barcarolle in Blue and Whitewater: The title is a play on words, and refers to the barcarolle as a musical genre, in which the music imitates the boat's movement over the quiet water of a river (the blue water). But this ship also navigates over the rapids (the whitewater). In fact, the "Presto con euforia" section seems a rafting experience. Moreover, "Blue" in the title also refers to the blues style and sad emotions, in the same way as the word was used for "Rhapsody in Blue". I like thinking about this piece as a boat ride across an old-fashion "tunnel of love", which used to mix "two major themes: a relaxing romantic ride encouraging the couple to cuddle, or a spooky horror ride encouraging the couple to cling to one another" (Wikipedia). Composition was influenced by Béla Bartók, Serguéi Prokófiev, George Gershwin, Duke Ellington, Oscar Peterson, Bill Evans, Michel Petrucciani, Nikolai Kapustin... and of course Chopin, whose Barcarole Op. 60 is the highest point of this genre. The main sections are: Andante onirico - Poco meno mosso, quasi improvvisato - Presto con euforia - Tempo I.
III. Bead Rock: Again, the title is a play on words, and refers to a spherical jewel like a pearl, but also refers to the main motif (which comprises the notes B, E, A, D) and Rock as a musical genre. Composition was influenced by George Gershwin, Jelly Roll Morton, Jerry Lee Lewis, Nikolai Kapustin and Keith Emerson, and it includes a funny quote from the J.S.Bach's Italian Concerto. The jazzy style of this piece may be defined as avant-garde, crossover, free-jazz, fusion, modern creative, third stream or jazz-rock. The tempo indication is 'veloce con veemenza' (vehemently fast). So, let's rock!!!



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© 2014-2016 by Ana Leira Carnero




Piano Sonata No.2, both versions, Op.4 & Op.4 bis


I. PROLOGO: Maestoso, ma con moto assai; Andante sostenuto
II. Prestissimo ma ben ritmato
III. EPILOGO: Andante tranquillo; Più lento; Prestissimo ma ben ritmato

composed by Ana Leira Carnero




Piano Sonata No.2, Version 2, Op.4 bis
I. PROLOGO: Majestically bluesy; Slow blues tempo
II. Prestissimo ma ben ritmato
CADENZA: Slow blues tempo
CODA: Prestissimo ma ben ritmato

composed by Ana Leira Carnero


....|.....Piano Sonata No.2, Version 1, Op.4..........
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PERFORMANCES of Version 1:

Spain

This work has been included in the "XXI Century Piano Sonatas" concert series in Madrid and Valencia, also featuring piano sonatas by outstanding composers Stephen Hough, Carl Vine and Rafael Mollà Penadés.
Australia

World Premiere:
2013-10-04 in Melbourne at the Sir Zelman Cowen Music Auditorium, Monash University
Merrilee Christoforou, piano (programme)



RECORDING of Version 1:




RADIO BROADCAST of Version 1:




© 2011, 2013, 2016 by Ana Leira Carnero

“Oración”, both versions, Op.3 & Op.3 bis



“Oración”
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string quartet simulation on a Korg 01/W


string orchestra simulation on a Korg Krome




PERFORMANCE of String Orchestra Version:


Argentina

World Premiere:
2017-05-19 in Buenos Aires at the Consejo Profesional de Ciencias Económicas
Camerata Internacional conducted by Patricio Mátteri
Soloists:
Luis Alberto Mariño (violin1), Juan Manuel Pérez (violin2), Hilary Gamble (viola),
Jacqueline Oroc (cello), Francisco Torres Jorquera (double bass)
Sponsored by ViennArt (Austria)

“Amor Real”, both versions, Op.2 & Op.2 bis




|.....................Instrumental Version||...................
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performed by Sol Crespo (voice) and Ana Leira Carnero (instruments)


LETRA EN ESPAÑOL:
LYRICS IN ENGLISH:
I

Falso amor
pasional,
un sueño...
sólo un sueño.

Brillante actuación,
buen guión;
mal final.

Cerca,
todo tu fuego;
lejos,
tu corazón.

¡Soy mejor 
porque doy 
amor real! 

II

Gran error
conceptual,
pensaba...
que me amabas.

Error aún mayor:
tu error
(no amar).

Cuerpo,
sobre mi cama;
alma,
en un rincón.

¡Soy mejor
porque doy
amor real!

III

Tan real
que al quemar
tu foto,
me sentí arder.

Tan real
que a pesar
de todo,
te llamé:

Ven, juguemos al amor...
¡que se vuelva realidad!
Ven, hoy necesito por favor
que... me mientas.

IV

Tan real
que al tomar
tu mano,
ave voy a ser.

Tan real
que al besar
tus labios,
volaré.

Ven, hoy necesito por favor
que... me mientas.

   
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I

Phony love,
passional,
like dreaming...
like just dreaming.

Your acting: brilliant job;
but this show
went too bad.

So close,
your fire flaming;
so far,
your hidden heart.

You should know
how to deal
with real love!

II

Strong mistake:
wrongly I set
our loving
category.

But even greater was
your mistake
(not to love).

Body
inside my bedroom,
spirit
ran out the door.

You should know
how to deal
with real love!

III

It's so real
I could feel
the fire,
when I burned your pic.

It's so real
I appeal
by phone call,
here's my speech:

Hey! Let's play the game of love...
We can make it reality!
Please, restart your amatory joke, 
say your lies.

IV

It's so real,
I'll become
a seagull,
if I hold your hand.

It's so real,
if we kneel
and lip kiss,
I'll take flight.

Please, restart your amatory joke,
say your lies.


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© 2009, 2015, 2016 by Ana Leira Carnero



Piano Sonata No.1 “Tempi di Eternità”, Op.1



Piano Sonata No.1 “Tempi di Eternità”, Op.1
I. When He breathes
II. Life is like the wind, days are but a breath
*III. Last breath exhaling at the very moment of death
*IV. Dwelling into His Light
*V. Resurrection

composed by Ana Leira Carnero

*Work In Progress

Each movement is based upon a biblical quotation:
I. When He Breathes: “then the Lord God formed the man of dust from the ground and breathed into his nostrils the breath of life, and the man became a living creature” (Genesis 2:7)



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© 2009, 2016, 2017 by Ana Leira Carnero